Looking back at my recollections of Friday, I mused aloud that “it looks like a bunch of people sitting behind tables.” While the panels are in fact an integral part of G-FEST and where my particular proclivities lie, there’s a lot more going on than just idle/idol chit-chat. The dealer rooms are chock full of multicolored G-Fans and G-Fare, videogame tournaments are in full flower alongside how-to modeling threads and filmmaking sessions.

There’s also a smaller theater downstairs where fan films are screened and, of course, more panels. There is truly never a dull moment to be had – which is the reason everyone looks so tuckered out come Sunday afternoon. For example, here’s a brief sampling of things I didn't get to see/do on Saturday:

Build and paint my own exclusive Godzilla model; play “Clash of the Kaiju”; view the Shinichi Wakasa, Tsutomu Kitagawa, or Cleve Hall panels; participate in the Kaijucast podcast session; watch Gamera vs. Zigra on the big screen; attend any tokusatsu how-to sessions; or learn how to become a full-fledged member of G-Force with Ian Morales.

Sheesh. Where are the clones promised us in the new millennium?

Back to our story. The gentleman next to me in the photo above is Mark Matzke, who organized last year’s G-FEST “kids thread” that I was such a fan of (probably because that’s about the level at which my mind operates much of the time). He also scribbles a swell blog, Monsterland Ohio, that’s definitely worth checking out. But the main attraction to Mark is that he’s the best kind of G-Fan: generous soul, attentive and loving family man, and great guy all around. Last year, he dropped me a personal note to thank me for my G-FEST coverage, gently correcting a few errors and misspelling of names at the same time.

I’ve been looking forward to seeing him (and his offspring Andy) as much as anything else the weekend had to offer. This “reunion” element is a common one for convention-goers, and it definitely holds true to G-FEST – there is a “family” quality to the proceedings, perhaps even more pronounced due to the higher concentration of younger fans present. Anyway, Mark was back with an even bigger kids lineup this year and I was sorely wishing I could be in two (and sometimes three) places at once. As it turned out, I was only able to sit in on the first couple sessions before other interests took priority, but it did my heart good that there are people like Matzke out there helping to cultivate and foster interest in this decades-old subgenre. G-Fandom will never die.

Here’s a quick list of this year's G-Fan Junior sessions:

Kaiju Inside Out (J.D. Lees talks about what’s it like being inside a monster suit)
Help! My Kid Loves Kaiju (Tim Bean teaches how to get the best deals on toy and collectibles)
Ultraman 101 (Mr. Bean gives us the basics about the popular superhero and his legacy)
Draw Your Own Kaiju (artist Tom Tvrdik helps you do your thing)
Godzilla Story Time (Sue Matzke reads “Godzilla Likes to Roar” and “Who’s Afraid of Godzilla”)
Intro to Kaiju Kaos: Smackdown (a brand new game for fans of all ages)
Godzilla: Friends and Foes (monsters, monsters, monsters)
Gamera: A Friend to All Children (yes, yes he is)
Growing up with Godzilla (discussion of how the Big G got big again in the 90s)
Diary of a Mighty Kaijui (Matzke reprises his whirlwind recap of all 28 official Godzilla films)
Kaiju Kids Quiz Show (yes, these kids know more than you)

I ducked out after Tim's first panel to attend the screening of Frank Woodward’s documentary, Men in Suits. I’d already heard good buzz about it and being as it’s a subject close to my heart, I was pretty excited to check it out. While they ironed out a few bumps in the A/V system, Woodward chatted with us about the genesis of the project and his background as a filmmaker. The movie is absolutely terrific – you can read my review for it HERE – and is available for purchase at Amazon.com HERE

Next it was time for a walk down nostalgia lane with a panel called "Two Decades of G-FEST," followed by a major event: the standing-room-only screening of GIANT LEGENDARY BEAST WOLFMAN VS. GODZILLA, with director Shizuo Nakajima and underground cinema bloodhound Mark Jaramillo in person to introduce the film and answer questions. Click on the link HERE to view a vast array of production stills and learn the background behind this amazing fan flick.

After running into my Brian pals Schuessler and Fukala (apparently Big Gay Horror Fan’s Brian Kirst was also around, but we sadly never crossed paths), we all sat in on a session called "Monster Men" with Cleve Hall and Shinichi Wakasa. The two veterans of practical effects and movie magic (with translation assistance by Godzilla vs. King Ghidorah star Robert Scott Field) chatted about the state of affairs today where the right way isn’t always the cheapest way, which can make for tense negotiations with producers.

Our subsequent lunch break was then followed by the one of the most bizarre panel experiences I’ve ever had. I showed up about five minutes early for Kevin Horn’s 4pm retrospective on Matango: Attack of the Mushroom People, celebrating its 50-year anniversary. Five minutes go by. Ten minutes. Fifteen minutes. The room is filled with friendly G-Fans who are happily chatting away about this and that, showing off their recently acquired goodies, etc. But as 4:20pm clicked off the clock, we started to wonder where Kevin was. Had he forgotten about the panel? Were we (or he) in the wrong room?

At 4:30pm, several people went off in search of our absent scholar. At 4:35pm, news returned that he had been found...standing in line to get autographs from special guests Shinichi Wakasa and Tsutomu Kitagawa! Um, yeah. At 4:50pm, Kevin finally showed up, but someone had disconnected the DVD player from the monitor, which took another five minutes to figure out. Finally, at 4:55pm, the panel began...which basically consisted of hitting “play” on the Special Features from the Media Blasters Matango DVD. Totally surreal (and more than a little anticlimactic for those of us who own said disc). Luckily, all this occurred later in the day when there wasn’t too much going on.

Then it was time for the final round of Godzilla G-Pardy (Jeopardy), which concluded with our winner (if anyone knows his name, please let me know and I’ll update this) putting his Pacific Rim prize package up for open auction to benefit G-Fans Helping G-Fans. Congrats, kudos, and good show all around. This was followed by raffle draws, screenings of the fan film contest winners and the world premiere of Dojo Studios’ effort from last year. And finally, the hour we’d all been waiting for, The Annual G-FEST Costume Parade!

Unfortunately, this being my first go-round, I had sat in a great spot to see the contestants projected onto the makeshift jumbotron, but in a terrible place to see (and photograph) the costumes proper.

After a few choice frustrated moments (including G-FEST organizer J.D. Lees’ first official public appearance in his brand new GFantis suit, sigh), I abandoned pal Brian Fukala for a spell and wandered down the hallway grabbing candid shots of the contestants as they waited their turn. Hey, anyone can get shots of a parade in process – here’s what’s going on behind the curtain, folks.

Hey, has anyone seen my...

Oh, there it is.

Next up: DAY 3!!

Recapping from 2012's G-FEST report:

Back in the early ’80s, there was a group of independent Japanese filmmakers, headed up by director Shizuo Nakajima, who wanted to make their own kaiju movie. The difference is that these folks either worked at or had friends who worked at (wait for it) Toho Studios. As a result, they were able to gain access to materials and designs not usually made available to the general public. Case in point, they were able to make an incredibly detailed reproduction of the 1962 Godzilla suit (as used in KKvG) as well as an impressive giant werewolf costume who would serve as the big G’s opponent. The rumored film is known by several names, Godzilla vs. the Wolfman, Legend of the Superbeast, Godzilla vs. the Giant Wolf Beast, Legendary Giant Beast Wolfman vs. Godzilla, etc., but no real evidence of it has ever surfaced. Only some poster art and one production shot have kept the mystery alive...

Until now.

L.A.-based ultrafan Mark Jaramillo had been chasing this particular myth for 13 years. In 2012, he made contact with Nakajima. The news? There definitely was a Godzilla vs. Wolfman feature – extensive footage was shot, as well as stock footage utilized to increase the scope and production value. It was apparently never completed, but there’s a lot of existing video footage still in the director’s possession. The bigger news? We at G-FEST XIX were going to be the first Western audiences to see it, because Nakajima had sent Jaramillo a sampling.

In the same room where kaiju fan extraordinaire Jeff Horne had been programming awesome TV and film offerings all weekend long, lights were dimmed, breath was held, and for the next three minutes, we all became children once again as we watched a giant white werewolf do battle with the big green stomping machine. Granted, this was just a fan film, and an incomplete one at that, but for those of us who have seen all the G-flicks and Zone Fighter eps, this was a brand new Godzilla film, and darn it, it looked pretty good. It was a magic moment for the hundred or so folks lucky enough to have crowded into the screening room (or who had been fortunate enough to bump into Jaramillo earlier in the weekend when he was providing private viewings via his iPad. Kudos to G-FEST organizer J.D. Lees for allowing the footage to be screened to the festival at large).

I saw several folks with their iPhones and cameras pointed at the video screen (if I’d been thinking, I probably would have too), but surprisingly, the recorded footage has not yet emerged on YouTube as expected. Or maybe it has and has been pulled off at the request of Lees and/or Jaramillo, I don’t know. Bottom line, I’m glad I was there, and I’ll definitely be there next year to see if they make good on their intention to bring Nakajima over to screen all existing footage in its entirety for the G-FEST crowd.

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Fast forward to 2013, where Jaramillo and J.D. made good on their promise.   Mr. Nakajima was indeed on hand, with a truncated 20-minute version of Giant Legendary Wolf Beast vs. Godzilla in hand.

While it's impractical to try to review the footage we saw (drastically edited and in unsubtitled Japanese), the easiest way to sum it up would be "The Howling meets The Amazing Colossal Man meets Godzilla." There's some pretty cool bladder/transformation work that recalls Rob Bottin's mind-blowing effects and once the hairy dude turns big and white (near as I could tell, this is part of the lycanthropy curse, or maybe there was a serum somewhere in the mix), it's time for the Big G to wrassle this hirsute interloper off his home turf.

Jaramillo asked the capacity crown to refrain from sharing any of the footage online, as there are plans afoot to release the entire film on DVD, but he did say that it was fine to share the production stills that Nakajima had provided in order to spread the word. Nothing could give me greater pleasure.

You can learn more detailed info about Jaramillo's journey in bringing Giant Legendary Wolf Beast vs. Godzilla to North American audiences via his article on Sci-Fi Japan and his In Search of Monsters website pictured above.


Jaramillo has also written a full article for Famous Monsters of Filmland, detailing his adventures in tracking down Nakajima and the film.  You can pre-order their August 2013 issue HERE.

This is the original MechiKong costume from King Kong Escapes.  Nakajima rescued it from Toho's garbage dumpster.  It now lives in his garage.  You gotta love this guy.