AMERICAN GOTHIC (1988) movie review



American Gothic (1988) d. Hough, John (UK/Canada) 90 min.

Set in the woods of the Pacific Northwest, this sturdy “vacationers in peril” tale follows a group of mildly annoying yuppies looking for a little R&R and finding M&M (madness and murder) instead.


Sarah Torgov makes a strong impression as a young woman recovering from a recent mental breakdown, for whose benefit the excursion is being undertaken. When the weekend warriors’ airplane experiences mechanical difficulties, they are forced to land on an isolated island where they encounter “Pa” (Rod Steiger), “Ma” (Yvonne de Carlo) and their offbeat family, composed of three adult children (Janet Wright, Michael J. Pollard, William Hootkins) still running around in little girl dresses and short pants.


One by one, the obnoxious urban interlopers disturb Steiger’s idyllic spartan existence and meet unsettling ends at the hands of his overgrown adolescents. However, other than the intriguing juxtaposition of Torgov struggling to retain her sanity while Rod and his merry brood happily embrace their madness, there is not much new ground covered in John Hough’s direction or Burt Wetanson and Michael Vines’ screenplay.


Ultimately, it is the top-notch performances of Steiger (who dominates every scene) and his whacked-out family that hold our interest, bumping the creep factor up a notch by dispatching bloody carnage with childlike giggles. Fairly routine stuff, elevated by clever twists in the final reel.

TWINS OF EVIL (1971) movie review


Twins of Evil (1971) d. Hough, John (UK)

The third, and many would argue, the best of Hammer’s Karnstein trilogy, following The Vampire Lovers and Lust for a Vampire. Well-directed by Hough and scripted by Tudor Gates, the plot opposes a puritanical witch hunter (Peter Cushing, in one of his darkest roles) and the Satan-worshiping vampire Count Karnstein (Damien Thomas), battling over the fate of two gorgeous twins recently come to reside under Cushing’s roof (Playboy centerfolds Madeline and Mary Collinson).


When one of the nubiles takes a liking to Thomas’ darker side, the challenge is for hunky good guy David Warbeck to determine which of them is the goody-good girl and which is just looking for a quick bite. Vampire films often turn on the motif of the sexually active woman versus the virginal love object, and here we have both presented to viewers wearing identical faces – an intriguing and thought-provoking concept...


Unless, of course, you’re too occupied watching Cushing burn up every little suspicious chickie he can find or ogling the array of female flesh on display.


Either way, Twins comes up a double winner.

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